The regeneration of the Kasarna Marsal Tito is an opportunity to transform a former barracks on the University Campus, today dismissed. The Campus is therefore considered here as an urban part of experimental nature, both in its more autonomous expression and in that of being an integrated element in the urban fabric; a university environment that can become a key community for the development and regeneration of a circular city. Working on the mutation of the area of the former Kasarna Marsal Tito and on its existing architectures and spaces, therefore, does not only imply simply preserving them, protecting them, fixing them, but that it is also necessary to proceed further, through a sustainable circular system of overlapping - an overwriting of places and of the existing buildings and inserting different philosophies into current lifes, shapes, spaces and materials. The application of the method refers to the concept of a circular system: a model that puts back into circulation resources that have already been used but that aren’t yet totally obsolescent, so that it is possible to obtain not only primary material (recycling) but also a new device by converting waste into value. A device that results from the integration between what exists and new insertions, implemented via the logic of minimum intervention. A project strategy based on urban insertions, or Clusters, that are punctually able to revitalize the object itself first and then the whole environment, through an osmotic principle, connected through an open space made up of paths and services, which act as a single background and connection of the whole complex. This approach allowed the articulation of projects through different compositional grammars including interventions at different scales and on different spaces: a sort of new urban metabolism. The tools used, precisely because they have been generated by strategy and not by formal language, have the characteristic of being adaptive to the project, and are able to satisfy the possible reconfigurations over time. We thus worked through a series of juxtaposed figures, hybridized together to interpret the previous layers and introduce new ones. The strategy has therefore used adaptive tools that include interventions at different scales and on physical and digital spaces: Grafting: with the tactics of Landmark, Density, Urban Markers and Box in the Box Parasite: with the tactics of Adaptive prostheses Border: in its meaning of Limit / Edge / Inhabited Margin Level 0: open spaces as a connection system, platform ground in the form of a vacuum or fabric, and social capacitor In-between: with Infill and Pocket Park The overall result is to exchange an overall replacement intervention project, with a generative intervention project, able to promote a solution for the recondi-tioning of the existing and a continuous mutation so as to make the project itself adaptable to the flow of time. Work in and with time.
Days of Architetecture . Sense_the_exhibition, NEW WAY TO LIVE SARAJEVO, Sarajevo Earns Natural Shared Environment, he Regeneration of the Marshall Tito Barracks
A. Gaiani;G. Incerti
2019
Abstract
The regeneration of the Kasarna Marsal Tito is an opportunity to transform a former barracks on the University Campus, today dismissed. The Campus is therefore considered here as an urban part of experimental nature, both in its more autonomous expression and in that of being an integrated element in the urban fabric; a university environment that can become a key community for the development and regeneration of a circular city. Working on the mutation of the area of the former Kasarna Marsal Tito and on its existing architectures and spaces, therefore, does not only imply simply preserving them, protecting them, fixing them, but that it is also necessary to proceed further, through a sustainable circular system of overlapping - an overwriting of places and of the existing buildings and inserting different philosophies into current lifes, shapes, spaces and materials. The application of the method refers to the concept of a circular system: a model that puts back into circulation resources that have already been used but that aren’t yet totally obsolescent, so that it is possible to obtain not only primary material (recycling) but also a new device by converting waste into value. A device that results from the integration between what exists and new insertions, implemented via the logic of minimum intervention. A project strategy based on urban insertions, or Clusters, that are punctually able to revitalize the object itself first and then the whole environment, through an osmotic principle, connected through an open space made up of paths and services, which act as a single background and connection of the whole complex. This approach allowed the articulation of projects through different compositional grammars including interventions at different scales and on different spaces: a sort of new urban metabolism. The tools used, precisely because they have been generated by strategy and not by formal language, have the characteristic of being adaptive to the project, and are able to satisfy the possible reconfigurations over time. We thus worked through a series of juxtaposed figures, hybridized together to interpret the previous layers and introduce new ones. The strategy has therefore used adaptive tools that include interventions at different scales and on physical and digital spaces: Grafting: with the tactics of Landmark, Density, Urban Markers and Box in the Box Parasite: with the tactics of Adaptive prostheses Border: in its meaning of Limit / Edge / Inhabited Margin Level 0: open spaces as a connection system, platform ground in the form of a vacuum or fabric, and social capacitor In-between: with Infill and Pocket Park The overall result is to exchange an overall replacement intervention project, with a generative intervention project, able to promote a solution for the recondi-tioning of the existing and a continuous mutation so as to make the project itself adaptable to the flow of time. Work in and with time.I documenti in SFERA sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
