Biographically distant by almost thirty years, Ridolfi is an indirect master of Siza who is trained in his architecture already inscribed in the Tavorian vision. Brought together by their work in the provinces (Matosinhos and Terni), Siza and Ridolfi can be assimilated for their “drawing-thinking” between spatial intuition and constructive moment. It is precisely on the theme of construction that “Lotus” No. 37 calls into question Ridolfi and Siza; masters of the art of the hand linked by certain design assonances.
Mario Ridolfi, Álvaro Siza: Screenplays for the Craftsman
Alessandro Brunelli
2026
Abstract
Biographically distant by almost thirty years, Ridolfi is an indirect master of Siza who is trained in his architecture already inscribed in the Tavorian vision. Brought together by their work in the provinces (Matosinhos and Terni), Siza and Ridolfi can be assimilated for their “drawing-thinking” between spatial intuition and constructive moment. It is precisely on the theme of construction that “Lotus” No. 37 calls into question Ridolfi and Siza; masters of the art of the hand linked by certain design assonances.File in questo prodotto:
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