Villamediana's Fábula de Faetón is perhaps the most ambitious and sophisticated poem conceived within the 17th century Spanish poetic revolution headed by Luis de Góngora. Its author encrypted the complex architecture of the Baroque worldview in the hermeticism of the new language. However, his mythological fables continue to be classified as a relevant but somewhat disjointed project. This work proposes that both the structure and meaning of the poem have been partly hidden due to its transmission problems. Using the tools of textual criticism and authorial philology and thanks to the inclusion of three witnesses that had not been used in previous editions, we offer the text of its three editions devoid, as far as possible, of apocryphal interventions transmitted since the princeps (1629). This study is also a dialogue between ecdotics, gongorism and the myth of Phaethon around the concepts of difficulty and model.

Juan de Tassis y Peralta, Fábula de Faetón, Edición, introducción y notas de Laura Rodríguez Fernández

Rodriguez Fernandez
Primo
2023

Abstract

Villamediana's Fábula de Faetón is perhaps the most ambitious and sophisticated poem conceived within the 17th century Spanish poetic revolution headed by Luis de Góngora. Its author encrypted the complex architecture of the Baroque worldview in the hermeticism of the new language. However, his mythological fables continue to be classified as a relevant but somewhat disjointed project. This work proposes that both the structure and meaning of the poem have been partly hidden due to its transmission problems. Using the tools of textual criticism and authorial philology and thanks to the inclusion of three witnesses that had not been used in previous editions, we offer the text of its three editions devoid, as far as possible, of apocryphal interventions transmitted since the princeps (1629). This study is also a dialogue between ecdotics, gongorism and the myth of Phaethon around the concepts of difficulty and model.
2023
9788871647241
La Fabula de Faetón del conde de Villamediana es quizás el poema más ambicioso y sofisticado concebido en el contexto de la revolución de la poesía culta del siglo XVII. Su autor cifró en el hermetismo de la nueva lengua la compleja arquitectura de la cosmovisión barroca. Sin embargo, el de sus fábulas mitológicas se sigue calificando como un proyecto relevante pero algo desarticulado. Este trabajo propone que la estructura y el significado del poema han quedado en parte ocultos debido a sus problemas de transmisión. A partir de las herramientas de la crítica textual y de la filología de autor y gracias a la inclusión de tres testimonios que no habían sido empleados en otras ediciones, ofrecemos el texto de sus tres redacciones depurado hasta donde ha sido posible de intervenciones ajenas al autor que se transmitían desde la princeps de 1629. Este estudio es también un diálogo entre el método del error común, el gongorismo y el mito de Faetón en torno a los conceptos de dificultad y modelo.
poetry, Golden Age, count of Villamediana, Góngora, Fábula de Faetón
poesía, Siglo de Oro, conde de Villamediana, Góngora, Fábula de Faetón
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11392/2512334
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